"MUNYUN," a collaboration between Playboi Carti and DJ Swamp Izzo, is a hazy, triumphant vibe that blends Cartiâs signature chaos with a rare flicker of disbelief at his own success. With no specific release date provided but assumed to align with his 2025 output like "POP OUT," this track is a double-cup-fueled celebration of excess, loyalty, and a journey from the streets to the Forbes list. Swamp Izzoâs bold intro sets the stage, and Cartiâs slurred flow carries it homeâa testament to his reign in a world of cash and codeine.
The chorus is the trackâs heartbeat: âThat double-cup love, I need me some more / She send me some when she get bored / Buy it in cash, put it on the floor / Came a long way, still canât believe I made Forbes.â Itâs a hypnotic loop that marries addiction to triumph. âDouble-cup loveâ is Cartiâs lean obsessionâtwo cups of codeine syrup, a trap stapleâframed as a romance he canât quit. âShe send me some when she get boredâ adds a casual fling vibe, whether itâs lean or a girlâs attention, delivered on a whim.
âBuy it in cash, put it on the floorâ flaunts liquid wealthâmoney so tangible itâs strewn like confettiâwhile âCame a long way, still canât believe I made Forbesâ is the emotional hook. Itâs Carti reflecting, almost dazed, on his rise from Atlantaâs underground to a Forbes-list flexâa rare moment of humility amid the bravado. Swamp Izzoâs âSwamp Izzoâ ad-libs punctuate it like a hype manâs stamp, grounding it in their crewâs energy.
Cartiâs verse kicks off with a fragmented flex: âI got **** from me they ainât ever played on the court / Big **** over here, yours looking short.â The censored bits (likely âniggasâ or âshitâ) suggest a boast about his crew or cloutâoutsiders who never made it big, dwarfed by his stature. âDiamonds in my ears, I can see her doorâ paints a surreal imageâearrings so bright they light his pathâwhile âGot her on her heels, she want some moreâ flips a girlâs desire into a power play, her heels a literal or figurative stumble under his spell.
âBring them bitches here, I ainât going to Allureâ dismisses a strip club (Allure in Atlanta) for his own domainâwhy chase when they come to him? âBring my demons, yeah, let them niggas learnâ summons his darker side or crew, a lesson in chaos. The next linesââLet the **** work, schyeah / Waist in the ****, schyeah / Black in the ****, schyeahââare disjointed, likely lean-slurred fragments. Context suggests drugs or women âworkingâ for him, with âschyeahâ as his rhythmic tic, tying it to tracks like "POP OUT."
âSlumped up, yeah / Worry âbout opps, they all deadâ is pure Cartiânumb from lean, unbothered by enemies heâs outlasted. â**** just got blocked / Molly make me lockâ shifts to a digital snub (blocking someone) and mollyâs gripâlocking his jaw or focus. Itâs a stream-of-consciousness flex, less about coherence and more about vibeâCartiâs high, victorious, and untouchable.
"MUNYUN" thrives on its sonic texture. The chorusâs repetitionââdouble-cup love,â âmade Forbesââloops like a woozy mantra, mirroring leanâs slow drip. Cartiâs delivery is slurred yet sharp, his âschyeahâ and âyeahâ ad-libs cutting through like static. The beatâlikely a trap haze with deep bass and eerie keysâcomplements the drugged-out flow, while Swamp Izzoâs outro flexââAyy, you now locked in with the flyest nigga on planet Earthââadds a triumphant cap. The verseâs fragmented lines mimic a mind adrift, a lyrical haze thatâs pure Carti chaos.
Lyrical devices flicker fast. âDouble-cup loveâ personifies lean as a lover, a metaphor for addiction, while âBuy it in cash, put it on the floorâ turns money into a tactile image of excess. âCame a long wayâ contrasts past struggle with present shock, a rare reflective beat. The censored gapsâinterpreted as crew or cloutâleave room for imagination, a Carti hallmark where vibe trumps clarity.
DJ Swamp Izzoâs introââYou gotta be livinâ up under a rock if you donât know my voice / Swamp Izzo / I Am Musicââis a bold opener, tying "MUNYUN" to Cartiâs Atlanta orbit (think "POP OUT"âs vibe). His ad-libsââCarti,â âLetâs go back inââfuel the energy, a hype man amplifying Cartiâs reign. In a 2025 context (assumed), this track fits Cartiâs evolutionâstill raw, still drugged, but with a Forbes flex that nods to his ascent from SoundCloud to superstardom. âMunyunâ (slang for money) is the themeâcash flows, lean pours, and Cartiâs still pinching himself.
"MUNYUN" isnât about deep confessionâitâs about basking in the high. Cartiâs double-cup devotion and Forbes-list shock collide in a haze of profit and peril, a trap anthem where excess is the win. The trackâs artistry lies in its simplicity and swagger: a chorus that hooks, a verse that drifts, and a vibe thatâs both slumped and soaring. With Swamp Izzo riding shotgun, itâs Carti marveling at his own orbitâtoo rich, too lit, and too far gone to turn back.